एक तू ही तू ही तू ही तू ही............

Hmmm…. finally watched awesome “mausam” , unfortunately one week late in writing this due to decrepit and abbadon condition of my laptop... well not much to say it is working now and I feel privilged to manifest what I feel---

In this story of timeless love, each and every sequence iterates us that humanity is the greatest ever religion and the simple saying “love everyone”- the lead characters are like any other human beings,  live their normal lives, respect their professions, face weirdest mental trauma in their respective lives,  but are beautifully committed towards each other… Situations around them play with their destinies and they are the winners every time and believe me, I found nothing dramatic in it,however a quite exceptional for sure….

Since past few days, I was thinking of people who are courageous or brazen – here, I won’t talk of malignant category i.e. boldness for wrong reasons, I am rather interested in audacious genre, which is simple to be  understood. When one is filled with godliness, actually carries immense mental strength and becomes hefty like anything,and unlike a nonchalant, cares for everybody around and bears no evils for any living being in his vicinity, at least.

I have found a beautiful correlation of the above characteristics w/the lead actor, although he is ambitious and blithe as an adolescent but extremely firm and focused as a matured air force officer; his get-up is striking, strict but pure… His philanthropy reminds me of a special friend, and the climax scene is truly iridescent when at the verge of survival of his own life, he sets free a horse who neighs for freedom,which shows that even an animal’s life is equally important for him…

The female lead is completely compatible to her counterpart, she too stands firm against all odds and does not leave any last hope to meet him, she is not typically shy but graceful enough, she shares a wonderful unspoken bonding w/her man and respects her decisions as well….

The beatitude of their relationship lies in their silence, although the lead character is besotted with his lady love’s charm at first sight, but never for a single moment describes epitome for her beauty,their love  attains its zenith as the time passes and is hardly influenced by any vigorous calamity…

Although this is not any story derived from somebody’s real life rather I am not intersted its origin, the basic idea is to deliver the message efficiently, even in the entire movie it is nowhere stated these ,”why these disasters took place? The director is keen to show the hidden essence, i.e. the mayhem has no face, no religion, no identity ; even a dialogue at the end too supports this statement,that “those who spread violence at the name of any particular religion or motive, are no more but kaale saaye..!!!”

To be very true, I am a little partial towards the movie review, as father-son duo Pankaj Kapur and Shahid Kapur strikingly appeal me,as I find both carry grace & glamour equally well and follow simplicity like anything….

Music too,is thoroughly inspired by sufi mysticism. Would definitely like to conclude by saying-

जब जब चाहा तूने ऱज के रुलाया 

जब जब चाहा तूने खुल के हँसाया

जब जब चाहा तूने खुद में मिलाया 

एक तू ही तू ही तू ही तू ही............

my favorite track from the movie,by Wadali brothers....